Annie Dillard takes a much more vivid
and violent approach to essay writing in "Living Weasel is Wild". In
this passage, Dillard describes a small confrontation between herself and this
rodent, referring to them as "two lovers, or enemies". To begin her
account, Dillard describes the preying of a weasel; how he "stalks"
and kills "more bodies than he can eat warm". Although, the author
contradicts this strong interpretation of a weasel by proceeding to an anecdote
about Ernest Thompson Seton. Seton says that a man "shot an eagle out of
the sky" and "found the dry skull of a weasel fixed by the jaws to
his throat". By choosing to share this with the reader, Dillard explores
the idea of the weasel as a victim. Dillard then states that these ponderings
featuring weasels were inspired when she "saw one last week"
"near [her] house in Virginia" by Hollis Pond. She goes on to produce
a detailed description of the pond and her meeting with the
"arrowhead"-like rodent. Dillard felt as though this experience were
as if she had "been in that weasel's brain for sixty seconds". This
experience causes the author to examine life through the eyes and mind of a
rodent. She realizes the value of "mindlessness" and the "purity
of living". Dillard then toys with the idea of fully embodying the
creature and "live for two days in the den" and living where
"the mind is single". In her final thoughts, Dillard leaves the
reader to ponder the idea of "living at every moment to the perfect
freedom of single necessity".
I truly can never say I wanted to step into the mind of an animal. (I
read Anamorphs as a kid, and I think they may have ruined that whole super
power for me.) Although, I can say I have always felt a strong connection to
animals, mostly my pet dogs. I was bullied throughout elementary school, and
therefore, I did not feel as though I had many friends. This may sound sad, but
that is where my dog came in: Jake. Jake was a black Labrador retriever who my
parents had had since before I was born. He was my pet, my companion, and my
best friend. I could talk to him about anything (no judgment); cuddle all over
him, and play; all things and struggling nine-year-old needs. If I could have
jumped within Jake's brain all I could hope to find was the same amount of love
for my family and me as we had for him. We loved Jake as a member of our
family, when I was twelve, he passed away. I can honestly say, that is the most
emotional I have ever been. Losing Jake was like losing my best friend, but I
knew, from the way Jake had always been, that he would have wept the same way
over losing one of us, as we did over losing him.
Once again, I find myself questioning Dillard's purpose in writing this
passage. How did this experience affect her life in the future? And why did
Annie feel it was so significant she felt the need to reflect back on her
feelings after time had gone by? I am also curious about her use of such
violent and, frankly, gross language. How was she hoping this language usage
would affect the readers? Although, I personally enjoy a darker take on
description, use of words and phrases such as “carcasses” and “splitting the
jugular vein” could have easily turned off the more innocent reader. This change
in writing style from “The Chase”, was welcomed in my mind, but could be
considered shocking in others. I can hope that as we continue to read Annie
Dillard’s essays, she does not sugarcoat her descriptions, although, I must
ask, if these artistic choices were ever second-guessed by the author.
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